Another Place across the River, 9’35”, 2016

The Lost Landscape #1, 5’00”, 2020 

Dance of the Insect, 15’20”, 2020

Truong Cong Tung (b. 1986) has exhibited extensively both in Vietnam and internationally, as a solo artist and as part of the Art Labor Collective. Selected solo exhibitions include: Day Wanes . . . Night Waxes, Hamburger Kunsthalle, Hamburger (2025); Trail Dust, Canal Projects, New York (2024); The Disoriented Garden . . . A Breath of Dream, Sàn Art, Ho Chi Minh City (2023); Sa Sa Art Project, Phnom Penh (2024); Jim Thompson Art Center, Bangkok (2024), and MUSEION, Bolzano (2024), supported by the Han Nefkens Foundation, where he won the Southeast Asian Video Art Production Grant 2023.

His work has also been featured in The 11th Asia Pacific Triennial of Contemporary Art, Brisbane, Australia (2024); Cloud Chamber, Para Site, Hong Kong (2024); The Spirits of Maritime Crossing, organized by the Bangkok Art Biennale Foundation as a Collateral Event of the 60th Venice Biennale (2024). Other notable exhibitions include Is it morning for you yet? at the 58th Carnegie International, Pittsburgh, USA (2022); State of Absence . . . Words out there. A collaborative installation by plants, insects, earth, water, ash, air… and Truong Cong Tung, at Manzi Art Space, Hanoi (2021); The Sap Still Runs at Sàn Art, Ho Chi Minh City (2019); Between Fragmentation and Wholeness at Galerie Quynh, Ho Chi Minh City (2018); A Beast, a God, and a Line at Para Site, Hong Kong (2018), and at the Museum of Modern Art, Warsaw (2018); Dhaka Art Summit (2018); Soil and Stones, Souls and Songs at Para Site, Hong Kong (2017) and at Kadist, San Francisco (2016); Across the Forest for Project Skylines with Flying People 3 at Nhà Sàn Collective, Hanoi (2016); and Gestures and Archives of the Present, Genealogies of the Future at the Taipei Biennial, Taiwan (2016).

Many Undulating Things, 2h 5’, 2019

Bo Wang (b. 1982) is an artist, filmmaker and researcher based in Amsterdam. His works have been exhibited internationally, including at the Guggenheim Museum, MoMA, Garage Museum, International Film Festival Rotterdam, CPH:DOX, Visions du Réel, LUX, Seoul Mediacity Biennale, and Sharjah Film Platform, among others. He is a recipient of major international awards, including New:Vision at CPH:DOX, Golden Dove at DOKLeipzig, O.F.F. Prize at Sesc_Videobrasil, Best Doc Short at Sharjah Film Platform, etc. He currently teaches at LUCAS, Leiden University, and is finishing his PhD in cultural studies at ASCA, University of Amsterdam.

Pan Lu is Associate Professor at the Department of Chinese History and Culture, The Hong Kong Polytechnic University. Her research interests cover a wide range of topics in Cultural Studies, with a focus on visual culture, city, media and memory. As a filmmaker, she directed Many Undulating Things (2019), Miasma, Plants and Export Paintings (2017), and Traces of an Invisible City: Three Notes on Hong Kong (2016) with Bo Wang, Anachronic Chronicles: Voyages Inside/Out Asia (2021) with Yu Araki, and her independent work Island Fever (2026). She was one of the curators of Kuandu Biennale, Taipei, 2018.

Elysium without Shores, 10’, 2024

The Curator Ghost, 17’50”, 2024

Arlette Quynh-Anh Tran (b. 1987) is an art laborer based in Saigon. She creates art both collectively and individually and also curates and writes. Her artworks combine politics and sci-fi aesthetics through the use of animation, 3D design, historical archives, and architecture. Arlette is fascinated by the idea of a futuristic Third World utopia where political ideals are reimagined, and humans and non-human beings coexist and merge. She presents a non-linear and absurd interpretation of modern histories that challenges the dominant post-Cold War narratives about the Third World. 

Together with visual artists Truong Cong Tung & Phan Thao Nguyen, she co-founded the Art Labor collective, which operates at the intersection of visual arts, social, and life sciences in various public contexts and locales, working on long-term, multiple output projects. 

Super Taboo, 18’, 2015

The Walker, 18’, 2017

The Glamorous Boys of Tang, 17’, 2018

SU Hui-Yu (b. 1976) explores the connection between mass media, pop culture, memories of martial law and the post-colonial history of Taiwan and East Asia. His “Re-shooting” series centers around Taiwanese and East Asian history, memory, re-imagination and transgression. His recent projects engage collective memories and ideologies while exploring the mechanism of oppression and liberation tied to Taiwan cultural values. He obtained an MFA from Taipei National University of the Arts in 2003, and has remained active in the contemporary art scene and the film society ever since. 

Su’s works have been exhibited at renowned exhibitions, festivals, and art institutes, including MOCA Taipei, Taipei Fine Arts Museum, Kaohsiung Museum of Fine Arts, Casino Luxembourg, Bangkok Arts and Culture Center, Kunsthalle Winterthur (Switzerland), San Jose Museum of Art (California, USA), Curitiba International Biennial of Contemporary Art (Brazil), 1646 Art Space (Den Haag, The Netherlands), and Power Station of Art (Shanghai, China), the International Film Festival Rotterdam, Taipei Golden Horse Film Festival, Singapore International Film Festival, the Videonale (Germany), PERFORMA (New York, USA), RISING (Melbourne).

In 2017, International Film Festival Rotterdam dedicated a retrospective to SU’s video works, while his video work Super Taboo had its world premiere in the Tiger Awards Competition for Short Films. From the summer of 2023, Su’s new project The Space Warriors series has been tour exhibited at Hyundai ArtLab in Seoul for the finalist of the 5th VH Art Award, ARS Electronica in Linz,  Kunstsammlungen am Theaterplatz in Germany, and Casino Luxembourg. The same year in May, Su’s biggest museum solo The Trio Hall was exhibited in MOCA Taipei, curated by Eugenio Viola. In 2025, The Trio Hall  participated in the Forum section of the 75th Berlinale as a feature film (World Premiere).

Pakta Ledak / The Pact of the Blast, 1h 8’, 2025

Irwan Ahmett (b. 1975) and Tita Salina (b. 1973) are a self-taught artist duo based in Jakarta. Their initial work is to place the imagination through performative intervention amid the chaotic public space of megapolitan Jakarta, which faces the dilemma of uncontrolled urbanization and pollution. Along with the development of networks both in art and activists circles so as to encourage their artistic practice progressing towards a deeper and thicker circumtances.

They are currently working on a long-term project related to geopolitical turmoil in the Ring of Fire - Pacific Rim, the most prone region to natural disasters as well as traumatic consequences of the persistent ideological violence. They utilize their high mobility as the main vehicle participating in residency programs, research, field study and exhibitions especially in specific areas,which are paradoxical such as heavenly yet deadly beautiful places on earth. Irwan and Tita aim to find answers to planetary anxieties about human existence through an evolutionary perspective and to produce knowledge through arts related to injustice, humanity and the urgent condition of our planet.

Their public art installation and performances intervene with communities to narrate civic, political, and ecological power struggles. Since 2014, Salina and Ahmett have been working on projects around the Pacific Rim Ring of Fire – regions prone to natural disasters with persistent colonial violence, political repression, urban development issues, and profiteering of ecological resources. The artist duo conduct research, field study, and residencies to investigate injustice related to micro- and macro-environments.

Ahmett and Salina have exhibited their works in international institutions and biennales such as Bangkok Art Biennale, Bangkok, Thailand (2020), the 10th Asia Pacific Triennial of Contemporary Art (2021), NTU Centre of Contemporary Art Singapore (2019), Ujazdowski Castle Centre for Contemporary Art, Warsaw, Poland (2017), Kunsthal Charlottenborg, Copenhagen, Denmark (2016), Asian Art Biennale, National Taiwan Museum of Fine Arts, Taichung, Taiwan (2015), Biennale Jogja, Yogyakarta, Indonesia (2015) and the Singapore Biennale (2013).